![]() He angrily screams at Heffer to make him get back on his bus, but Heffer refuses so he runs off. Heffer, now realizing the Bus Driver's true, psychotic nature, gets scared and is about to escape out the window, but the Bus Driver snaps and goes stark raving mad. When the Bus Driver gets worried about losing his job, he looks at his picture of his wife and kids, but it's shown to be just a picture of bowl of fruits. ![]() He starts losing his temper and yelling at Number 13 (who is Heffer) that he wants to know where Number 11 is. Meanwhile at the Sani-Tour Bus, the Bus Driver checks the numbers, but he's missing passenger Number 11 (who is Rocko). After Chokey Chicken, with the Bus Driver distracted, Rocko escapes the tour to follow his crush. Next thing, Rocko sees his love outside, he says to the Bus Driver that he misses the Eiffel Tower, but the Bus Driver stops the bus, goes up to Rocko, and then starts to angrily yell at him to make him forget about the Eiffel Tower. Afterwards, everybody gets nervous and goes back to their seats. When Rocko asks when would they see the Eiffel Tower, he doesn't honestly give a hoot about it, all he does is tell about the most questionable tourist attractions such as a garbage can or bacon shaped clouds, but when Rocko talks about the Eiffel Tower to Heffer and the other tourists' interest, he yells "Hello?! Have we all forgotten who's giving the tour here?!". Through the episode he shows signs of clinical insanity and is absolutely obsessed about the tour and fear of losing his job, to which he is overly devoted. ![]() I developed Rocko's Modern Life, and they picked it up.He appears in France as a Tour Bus Driver, with Rocko and Heffer among his passengers, but he does some other things that have nothing to do with France. I refused at first, but they assured me they wanted something different. ![]() By 1991, a small cable station called Nickelodeon asked me if I had any ideas for a cartoon show. I started making some small animated films and, surprising to me, they became popular. I had dabbled in it some, but in the 80's touring animation festivals were becoming popular. After one submission, a syndicate editor asked me if I ever thought about animation. I still wanted to be a comic strip artist and kept working at it. At 16 I had my first job in art, by 17 I worked for an ad agency as an artist, and by 20 had my own studio. I began sending strips into syndicates and got a lot of nice letters back but no strip. (I can still see the horror on his face.) I gravitated to cartoons early on, and decided by age 10 I wanted to be a comic strip artist. ![]() By the time I was 6, I told my dad I was going to be an artist for a living. My kindergarten teacher spotted something different in me. I started making art from the moment I picked up a crayon. ![]()
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